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An Iconographic depiction of Prophet Mohammed, Jesus Christ & the Buddha
3 year Neo-Byzantine reverentia project completed March 31, 2001



This work will be part of an exhibit at The American Visionary Art Museum - AVAM
entitled "All Faiths Beautiful - From Atheism to Zoroastrianism"

Prophet Mohammed pbuh
Jesus Christ
The Buddha

  Mohammed the Prophet
(peace be upon him)
stands before the green domed mosque of Medina called the Prophet's Mosque. Because it is forbidden to represent his face calligraphy commanding all to maintain a pure body and spirit and declaring the greatness of Allah the one True God covers it. Mohammed's hands are in a position of Surrender - the definition of Islam. His halo represents the flames surrounding his body in Islamic iconography. The hand in the sky is that of his cherished daughter Fatima and represents the five pillars of Islam: declaration of faith, formal prayer, charity, to fast in the month of Ramadan, and to perform a pilgrimage to the Ka'bah in Makkha at least once in a lifetime. 
     
 

Jesus Christ

stands before three buildings representing the trinity.
His halo is a Byzantine cross. The stained glass windows show the symbols of pagan religions absorbed into Christianity, the Tree of Life of Judaic mysticism -
a map of the ten Sephiroths or Luminous Emanations
in the Kabbala, and three crucifixes. The center building ascends beyond the borders of the painting to a place in the heavens where Jesus currently sits while Jesus looks directly at us as a reminder of his return.

There is a mistake in the Tree of Life.

     
  The Buddha Siddhartha Gautama stands before the eight-story pagoda representing the eightfold path of Buddhism: right understanding, right thoughts, right speech, right action, right livelihood, right effort, right mindfulness and right concentration. The river springing at Buddha's feet symbolizes his place as the first in historical timeline of the three men represented in this work. Inscribed on the giant golden prayer wheel in the pagoda is the sacred mantra Om Mani Padme Hum. The Himalayas of Nepal loom in the background. His halo is in the shape of a lotus. His eyes are turned inward in meditation.
     
A triptych is a three-paneled work. This painting illustrates our diverse religious complexion and the men that were forces of change in human spirituality. The feet symbolize their connection to the physical earth. The hands are in positions of surrender, benediction and blessing. The river that springs from the toe of the Buddha represents the flow of Time, Life, and Truth flowing through all things into the collective Sea of Knowledge behind Jesus and Mohammed. The fig tree between Jesus and Buddha represents two things: the enlightenment of Buddha attained in contemplation beneath the Sacred Bodhi Fig tree and Jesus' judgment of the barren fig tree. The reverse side of the panels show three symbols: The Dharma wheel representing the eight-fold path of Buddhism; The Star of David, emblem of the house of David from which Jesus is a descendant; and the Crescent Moon of Islam whose sighting at the end of the month of Shaban signifies the beginning of the holy month of Ramadhan.


For sales, general comments or inquiries please contact:

VARGA Gallery
130 Tinker Street, Woodstock, NY 12498

call 845.679.4005 or email gallery@christinavarga.com

 

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